The anxious, clumsy and abused office clerk Wesley Allan Gibson has a hell and boring routine life: his obese boss humiliates him all the time and his girlfriend betrays him with his colleague and best friend during working period. When he meets the sexy Fox, Wesley is informed that his father was a professional killer that belonged to an ancient organization called Fraternity and killed by the skilled and powerful Cross, a hit-man that has betrayed the Fraternity. Wesley learns that his anxiety actually is a manifestation of his latent abilities and he joins the society under the command of Sloan. Trained by Fox, he changes his personality and attitude, being prepared to face the dangerous Cross and find a hidden secret.
A young man finds out his long lost father is an assassin. When his father is murdered, the son is recruited into his father's old organization and trained by a man named Sloan to follow in his dad's footsteps.
Inane film where an anxiety-ridden accountant tells off his boss when he discovers that his father belonged to an assassin&#39;s group. He is then trained to kill the man who killed his father.<br/><br/>There is non-stop killing, everything appears to be happening on trains. We have an unleashing of rats and finally the man who did his dad in is killed by our hero.<br/><br/>That&#39;s when the plot to this miserable film thickens. Turns out that the man who he killed was really his father! Naturally, as is the case with all these brotherhood related films, there has been treason within the group. It&#39;s leader, Morgan Freeman, had begun to pick out victims for his own selfish gain. When the real father discovered this, he was eliminated and Freeman chose the son to do this as he knew that the father would never shoot his own son.<br/><br/>Despite non-stop action, the film is the perfect clinker. It becomes overly violent and Angelina Jolie looks like she is off her mind. Freeman appears to look much older and leaner here. One wonders if he is ailing.
Thankfully I didn&#39;t pay to see this at the cinema but rented it instead.<br/><br/>This is the perfect example of vacuous popcorn films, with no concern for anything bar how it looks. You can forget about any semblance of a coherent plot, likable characters, or nuanced film making - it is purely visual sensation with limited originality.<br/><br/>If you like mindless gratuitous violence that rips off the Matrix and wastes the acting talent present, you&#39;ll love this, and going by the general rating for this tripe plenty of people do. BTW I have no problem with violent films, directors like Tarantino and Peckinpah have made some great ones, but a film being violent isn&#39;t necessarily any good.<br/><br/>If you prefer films that don&#39;t take the audience for granted, look elsewhere.
Not as dark as its source material, Wanted works exceptionally on its own terms. McAvoy crashes the A-list, Jolie finally gets to be as big a star on screen as she has been in print, and Bekmambetov proves the most exciting action-oriented emigré since John Woo.
Wanted is loosely based on a comic book miniseries of the same name by Scottish graphic novelist Mark Millar, with art by J.G. Jones, published in 2003 and 2004 by Top Cow as part of Millar&#39;s creator-owned line known as Millarworld. American screenwriting partners, Michael Brandt and Derek Haas, adapted the comics into the original screenplay, which was revised in part by screenwriters Chris Morgan and Dean Georgaris. Wesley Gibson (<a href="/name/nm0564215/">James McAvoy</a>) and the Fox (<a href="/name/nm0001401/">Angelina Jolie</a>) have made the transition to film largely unchanged, the only major differences being their appearance (Wesley being originally modeled on <a href="/name/nm0004896/">Eminem</a>, and the Fox on <a href="/name/nm0000932/">Halle Berry</a>). Wesley&#39;s boss, girlfriend and best friend are also largely unchanged. However, as the main plotline of the comic books (in which all of the main characters are actually supervillains modeled on DC characters) has been altered, many other characters were re-imagined or cut entirely from the film, examples being: (1) Dr. Solomon Seltzer (a short, bald super-scientist and friend to Wesley&#39;s father) becomes Sloan (<a href="/name/nm0000151/">Morgan Freeman</a>); (2) Mr. Rictus (an evil, ghoul-faced murderer) becomes the assassin Cross (<a href="/name/nm0470981/">Thomas Kretschmann</a>) and is also referenced in the film as an assassin killed by Cross; and (3) The Killer (famed assassin and Wesley&#39;s father, modeled after <a href="/name/nm0000169/">Tommy Lee Jones</a>) becomes Mr. X (<a href="/name/nm0641244/">David O&#39;Hara</a>). There are significant changes from the comic book.<br/><br/><ul><li>Perhaps the most significant change is the underlying purpose of The Fraternity. In the comic, The Fraternity are a secret group of supervillains with an array of powers and they behave as supervillains would be expected to: committing crimes and killing people. In the movie The Fraternity is a secret guild of assassins who work to maintain order in the world by assassinating evil people. The film portrays them in a far more positive light than the book.</li></ul><br/><br/><ul><li>The book is far more vulgar than the movie and revels in pushing boundaries of taste in terms of violence and sexuality. In the book characters talk much more matter-of-factly about topics such as murder, rape, pedophilia, and bestiality.</li></ul><br/><br/><ul><li>The backstory of the film is entirely different from the book. In the comic a group of supervillains murdered all the superheroes and erased their existence from reality. In the film a group of medieval weavers-turned-assassins founds the Fraternity to maintain order.</li></ul><br/><br/><ul><li>Most of the characters were wholly invented for the film. While Fox and Wesley make the transition largely unchanged Wesley&#39;s father is almost completely different from how he was portrayed in the book, Mr X, Sloan, The Russian, and the Gunsmith (<a href="/name/nm0996669/">Common</a>) are complete inventions. The Repairman (<a href="/name/nm0912938/">Marc Warren</a>) is an expansion of an unnamed character who appears in a few panels in the book, and The Butcher (<a href="/name/nm0049079/">Dato Bakhtadze</a>) is created from a scene in the book where Wesley himself is sent to work in a slaughterhouse to help desensitize him.</li></ul><br/><br/><ul><li>The plot is dramatically changed. While the introduction and Wesley&#39;s training are very similar the plot of the comic involves intrigue between different factions of super villains while the film deals with the efforts to apprehend one rogue assassin. In addition the film focuses far more on Wesley&#39;s quest to avenge his father. While the book version of Wesley is interested in knowing who killed his father it is not a driving aspect of his character.</li></ul><br/><br/><ul><li>Scenes of Wesley&#39;s training are greatly expanded in the film.</li></ul><br/><br/><ul><li>The film version of Wesley is considerably nicer and more sympathetic than the comic version.</li></ul><br/><br/><ul><li>The film includes far more moral conflict about the nature of what The Fraternity does than the comic book.</li></ul> Derek Haas and Michael Brandt have already been hired to write by Universal, but the sequel has been in development hell for the since 2010 or so. The song is called &quot;The Little Things&quot;, and is sung by the film&#39;s composer, Danny Elfman. No, but there are a couple of interesting shots that give clues about the development of the plot. One of them is when Wesley leaves his apartment early in the film, he tries to straighten a sign on a pole warning about rats. That sign is posted over another one reading &quot;Your fathers&#39;s&quot;. Following the scene, the camera focuses on the apartment where it&#39;s later revealed that this is where his real father lived, thus, composing the message: &quot;Your father&#39;s apartment&quot;. The scenes with the Russian also give clues, since he seems to be the only true friend among the weavers. He ultimately gives Wesley the key to achieve his father&#39;s objective by showing him about the combination of peanut butter and plastic explosives, and saying &quot;imagine if you had a thousand&quot;.
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